| |
| EXECUTIVE PRODUCERS |
| ROCKNE S. O'BANNON |
| BRIAN HENSON |
| |
| EXECUTIVE PRODUCERS |
| KRIS NOBLE |
| ROBERT HALMI, JR. |
| |
| CONSULTING PRODUCER |
| DAVID WILKS |
| |
| PRODUCTION DESIGNER |
| RICKY EYRES |
| |
| DIRECTOR OF PHOTOGRAPHY |
| CRAIG BARDEN ACS |
| |
| EXECUTIVE CONSULTANTS |
|
RICHARD MANNING |
|
|
RO HUME |
| |
| CREATIVE CONSULTANT |
|
SALLY LAPIDUSS |
| |
| MUSIC BY |
|
SUBVISION |
| |
| EDITOR |
|
MARK PERRY |
| |
| COSTUME DESIGNER |
|
TERRY RYAN |
| |
| MAKEUP/HAIR SUPERVISOR |
|
LESLEY VANDERWALT |
| |
| PUPPETEERS |
|
JOHN ECCLESTON |
|
|
WITH |
|
|
SEAN MASTERSON |
|
|
DAVE COLLINS |
|
|
GRAEME HADDON |
|
|
TIM MIEVILLE |
|
|
MARIO HALOUVAS |
|
|
DAMIAN BRADFORD |
| |
| GUEST CAST |
|
JOHN ADAM |
|
|
JEREMIAH TICKELL |
|
|
ZOE DIMAKIS |
|
|
API BAVARDRA |
| |
| VOICE ARTISTS |
|
JONATHAN HARDY - RYGEL |
| |
|
LANI TUPU - PILOT |
| |
|
TIM MIEVILLE - JOTHEB |
| |
| US CASTING |
|
PATRICK RUSH CSA |
|
|
SHARON KLINE CSA |
| |
| AUSTRALIAN CASTING |
|
MAURA FAY & ASSOCIATES |
| |
| PRODUCTION CONSULTANT |
|
ANDREW PROWSE |
| PRODUCTION MANAGER |
|
HELEN PANCKHURST |
| 1ST ASSISTANT DIRECTOR |
|
CHRIS WEBB |
| PRODUCTION ACCOUNTANT |
|
SOPHIE SIOMOS |
| |
| CAMERA OPERATOR |
|
HENRY PIERCE |
| STEADICAM OPERATOR |
|
MARK GOELLNICHT |
| FOCUS PULLER |
|
PETER STOTT |
| 2ND UNIT DOP |
|
STEVE NEWMAN |
| |
| SPECIAL VISUAL EFFECTS SUPERVISOR |
JAMIE COURTIER |
| |
| PROSTHETICS AND CREATURE EFFECTS |
| JIM HENSON'S CREATURE SHOP |
| |
| CREATIVE SUPERVISOR |
|
DAVE ELSEY |
| |
| DENISE BASELY |
|
ADAM JOHANSEN |
| DAN CARLISLE |
|
MARTIN REZARD |
| SIMON PARKER |
|
GREG MCKEE |
| ELIKA WARDEGA |
|
JULIAN MANNING |
| RACHEL IMPEY |
|
JOHN SEARLE |
| |
| GAFFER |
|
RICHARD REES-JONES |
| GAFFER BEST BOY |
|
KIM JOHR |
| |
| GRIP |
|
DAVE SHAW |
| GRIP BEST BOY |
|
JASON TREW |
| |
| SOUND RECORDIST |
|
ROSS BOYER |
| BOOM OPERATOR |
|
JACK FRIEDMAN |
| |
| COSTUME SUPERVISOR |
|
PETER BEVAN |
| COSTUME STANDBY |
|
JULIE BARTON |
| KEY MAKEUP & HAIR |
|
LYN WHEELER |
| STUNT COORDINATOR |
|
GUY NORRIS |
| SPECIAL EFFECTS SUPERVISOR |
|
JOHN BOWRING |
| |
| PRODUCTION COORDINATOR |
|
FIONA SCHMIDBERGER |
| 2ND ASSISTANT DIRECTOR |
|
HANNAH BROWNE |
| SCRIPT SUPERVISOR |
|
VICTORIA SULLIVAN |
| SCRIPT EDITOR |
|
LILY TAYLOR |
| PRODUCER'S ASSISTANT |
|
BARBARA COOPER |
| |
| LOCATION MANAGER |
|
AUSLAN ISMAIL |
| UNIT MANAGER |
|
TIC CARROLL |
| UNIT NURSE |
|
JACQUIE ROBERTSON |
| EXTRAS CASTING |
|
ROS BREDEN |
| 3RD ASSISTANT DIRECTOR |
|
SCOTT LOVELOCK |
| |
| PRODUCTION TEAM |
|
SUZANNE MALIOS |
|
|
TASHA MONAGHAN |
|
|
ELLIE CAMPBELL |
|
|
AL WRIGHT |
|
|
SY MILMAN |
| |
| VISUAL EFFECTS DIRECTOR |
|
PAUL BUTTERWORTH |
| |
| VISUAL EFFECTS BY |
|
GARNER MACLENNAN DESIGN |
| |
| LEONE KNIGHT |
|
KELLY KAN |
| ANDREW HELLEN |
|
LUKE HETHERINGTON |
| STEVE JAMES |
|
MARTIN BLUMEN |
| DAVE MORLEY |
|
SONJA BANZHAF |
| JASON BATH |
|
LEE LAM |
| |
| SUPERVISING ART DIRECTOR |
|
JULIAN PARRY |
| CONSTRUCTION MANAGER |
|
ALAN FLEMING |
| HEAD SCENIC ARTIST |
|
MICHAEL O'KANE |
| SET DECORATOR |
|
KAREN MURPHY |
| ART DIRECTOR |
|
KAREN LAND |
| CONCEPT ILLUSTRATOR |
|
KEVIN HUNTER |
| |
| POST PRODUCTION SUPERVISOR |
|
DAVID BIRRELL |
| ASSEMBLY EDITOR |
|
SIMON KLAEBE |
| POST PRODUCTION COORDINATOR |
|
DEBORAH PEART |
| VFX COORDINATOR |
|
CLAUDIA BOLAND |
| ASSISTANT EDITOR |
|
MARK SPESSOT |
| |
| URSA DIAMOND/EDITBOX |
|
FRAME, SET & MATCH |
| TELECINE COLOURIST |
|
PETER SIMPSON |
| ONLINE EDITOR |
|
DAVID TINDALE |
| FSM SUPERVISOR |
|
SARAH WATTS |
| |
| SOUND MIXER |
|
PETER PURCELL |
| |
| POST PRODUCTION SOUND |
|
DAVID WHITE |
|
|
CHRISTIAN BASS |
|
|
CATE CAHILL |
|
|
ANGUS ROBERTSON |
|
|
ALEX WONG |
|
|
PHILMSOUND |
| |
| LABORATORY |
| NEGLAB |
| |
| FILMED WITH PANAVISION® CAMERAS & LENSES |
| |
| NSW NATIONAL PARKS & WILDLIFE SERVICE |
| |
| LINE PRODUCER |
| RICHARD CLENDINNEN |
| |
| EXECUTIVE IN CHARGE OF PRODUCTION |
| PETER COOGAN |
| |
| THE CHARACTERS AND EVENTS DEPICTED IN THIS MOTION PICTURE |
| ARE FICTIONAL. ANY SIMILARITY TO ACTUAL PERSONS, LIVING OR DEAD, |
| IS PURELY COINCIDENTAL. |
| |
| THIS MOTION PICTURE IS PROTECTED BY THE COPYRIGHT LAWS OF THE |
| UNITED STATES OF AMERICA AND OTHER COUNTRIES. ANY |
| UNAUTHORIZED DUPLICATION, COPYING OR USE OF ALL OR PART OF THIS |
| MOTION PICTURE MAY RESULT IN CIVIL LIABILITY AND/OR CRIMINAL |
| PROSECUTION IN ACCORDANCE WITH APPLICABLE LAWS. |
| |
| © NINE FILMS AND TELEVISION PTY LTD. ALL RIGHTS RESERVED. |
| FIRST PUBLICATION OF THIS MOTION PICTURE (SOUND RECORDING AND |
| FILM) UNDER BRITISH LAW; UNITED STATES OF AMERICA 1999. |
| NINE FILMS AND TELEVISION PTY LTD IS THE AUTHOR OF THIS MOTION |
| PICTURE UNDER BRITISH LAW. |
| |
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